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Local Identifier
105_spc_00000004
Date Created
1980-03-08
Description

Side 1: [00:00:07] Intro - interview with Kazuo Ikeda conducted by Ricardo E. Medina [00:00:36] Ricardo asks about Ikeda's parents' backgrounds and when they arrived in America [00:01:28] Ikeda discusses why his parents left Japan [00:02:28] Ikeda discusses where his father worked and his job as a laborer/migrant worker in King City, notes that he (Kazuo) was born in King City in 1918 [00:03:05] Ikeda discusses how his parents met [00:04:10] Ikeda describes his life in King City, his family members, and his father's decision to send the rest of the family back to Japan [00:05:42] Ikeda discusses going back to Japan and returning again to Santa Maria Valley in 1927 [00:06:38] Ikeda describes his time in Arroyo Grande and the size of the Japanese community in the Central Coast area prior to the war [00:07:49] Ikeda discusses his father's farm land and land ownership [00:08:58] Ikeda recalls where he lived at the time of evacuation [00:09:09] Ikeda recalls his financial situation in regards to the farm [00:09:44] Ikeda discusses his family's religious beliefs within the context of the Japanese community [00:10:47] Ikeda discusses the social and cultural events in the Japanese community, such as Japanese language schools [00:12:00] Ikeda compares the size of the Japanese community at the time of the interview and prior to the war [00:12:28] Ikeda recalls when the war broke out and how his fellow Japanese community members felt at that time and his father's injury [00:14:30] Ikeda recalls how his friends and family got detained [00:15:01] Ikeda describes how he felt upon learning about and leading up to the relocation process and leasing his land [00:18:06] Ikeda recalls the order in which he had to get on the other side of Highway 99 and the option to move voluntarily [00:19:09] Ikeda recalls the moving process, waiting for the order to evacuate, and how their possessions needed to be sold cheaply [00:20:58] Ikeda describes where he stored the belongings that they kept [00:22:41] Ikeda recalls how he got special permission to stay behind while everyone else went to the Tulare Assembly Center [00:23:25] Ikeda recalls how long he was allowed to stay in San Luis Obispo to take care of his father [00:24:59] Ikeda recalls his time at the Tulare Assembly Center and the living conditions there [00:26:20] Ikeda describes how he felt while staying at the Tulare Assembly Center and what excuses he was given as to why they were placed there [00:27:30] Ikeda describes the perception of Japanese people on a local level at the time of the war and propaganda used against them [00:29:15] Ikeda describes his ownership of Japanese memorabilia prior to the war [00:29:50] Ikeda recalls the organization of the Tulare Assembly Center and jobs that people had [00:31:22] Ikeda recalls where he was ordered to where to move afterwards [00:31:50] Ikeda recalls the approximate population at Tulare [00:32:14] Ikeda recalls how he was told that they were going to be sent off to relocation camps [00:34:24] Ikeda recalls his first impression of Gila [00:35:42] Ikeda recalls the conditions of the living quarters [00:36:30] Ikeda recalls the presence of armed guards at the Tulare Assembly Center [00:36:50] Ikeda recalls what he did in Gila and his job as a sanitation inspector [00:38:00] Ikeda describes the jobs his brothers took on [00:40:24] Ikeda recalls the recruitment of workers [00:41:15] Ikeda recalls how the Japanese people organized themselves in the camps [00:42:16] Ikeda recalls his father's goals in coming to the U.S. and his roles within the SLO community Side 2: [00:00:08] Continuation of Ikeda recalling what his father hoped to gain in coming to the U.S. [00:00:21] Ikeda recalls cultural events within the camps and the work ethic of the Japanese American parents (especially among Issei parents) [00:02:44] Ikeda describes how they were treated in the camps and conditions [00:03:29] Ikeda describes what his mother did in the internment camp and caring for his father [00:05:06] Ikeda recalls where he was during the Manzanar Riot and how he felt at that time [00:05:43] Ikeda discusses the loyalty oath [00:08:48] Ikeda recalls how he felt after signing "yes" on the "loyalty oath" [00:10:35] Ikeda recalls how he and other internees were released from Gila to go work on farms [00:12:00] Ikeda discusses working on farms in Idaho and receiving permits that allowed for that [00:14:10] Ikeda recalls not facing hostilities while working [00:16:42] Ikeda recalls what he did and where he went when the internees were released from the camp [00:17:38] Ikeda describes how people people went about returning to their homes in California [00:20:15] Ikeda recalls what possessions he still had upon returning to California [00:20:55] Ikeda describes what he did to subsist and how he was faring upon returning to California [00:22:00] Ikeda recalls the events leading up to meeting his wife [00:24:57] Ikeda discusses farming, marrying his wife, and acquiring more land [00:26:45] Ikeda compares the Japanese families before and after the war, focusing on those that returned to their homes [00:27:41] Ikeda discusses participation in cultural and community events after the war [00:29:44] Ikeda reflects on the evacuation and how it affected his life and community [00:34:04] Ikeda discusses his thoughts on whether or not relocations of minority groups would happen again

2 items in Collection
Local Identifier
141_spc_000015
Date Created
1988-07-16
Description

[00:00:01] Wilson introduces Sarah Boutelle and provides her academic credentials [00:00:57] Wilson asks how Boutelle went about gathering information for her book [00:01:40] Boutelle states that she wanted to create a full catalog of all of Morgan's buildings [00:02:38] Boutelle says her biggest sources were the people who came to her her lectures in order to tell of Morgan's buildings or clients that Boutelle was unaware of [00:03:08] Boutelle states that the colleges did not have any courses or information on Morgan [00:03:27] Wilson asks how Boutelle gathered plans and office records since Morgan had most of her records destroyed [00:05:23] Boutelle talks about her 180 degree switch on her opinion of William Randolph Hearst through reading his correspondence with Julia Morgan [00:08:16] Boutelle discusses how she found the photographer for her book, Richard Barnes, after seeing his photographs on the cover of California Alumni magazine [00:09:54] Boutelle discusses the attention given to Bernard Maybach's career and mostly denies sexism as the reason why Morgan was often overlooked as an architect [00:12:11] Boutelle talks about Morgan's output as an architect relative to her contemporaries Bernard Maybach and Frank Lloyd Wright [00:14:48] Boutelle talks about Morgan's professional network that was started with her sorority sisters and Phoebe Hearst [00:16:53] Boutelle discusses Morgan's philosophy of design in residential homes that combined California and European styles as a result of her Beau-Arts training for "the plan" [00:18:46] Boutelle talks about Morgan's credo to be an architect without emphasis on her womanhood, but encouraged her female employees to their architectural licenses to be listed as assistant architects [00:21:00] Boutelle discusses other female architects in the Bay Area at the time and their influences from Oakland and buildings around them [00:22:09] Boutelle discusses the 20th century "social movement" of women's clubs and the funding, building, design of the Berkeley City Club [00:24:21] Boutelle states that one of Morgan's most important contributions was her work providing housing for single women as it tackled a social problem and represented a new kind of urban housing [00:25:32] Wilson thanks Buotelle for her contributions and ends the interview

Local Identifier
141_spc_000016
Date Created
1988-10-06
Description

[00:00:01] Intro song, 'The Rose' by Bette Midler [00:00:06] C. J. says she is excited to talk with Sarah Holmes Boutelle about her new book 'Julia Morgan, Architect' [00:00:39] There is a phone connection interference, and C. J. plays a Michael McDonald song while they correct the error [00:01:17] Boutelle is reconnected with the radio station [00:01:36] Boutelle explains how her fascination with Julia Morgan began when she first visited Hearst Castle [00:02:35] Boutelle admits she has spent 14 years researching the life and work of Julia Morgan [00:03:15] Boutelle explains how the modernist era caused the work of Morgan and other California architects to be overlooked [00:03:48] Boutelle talks about how Morgan worked as an architect and and executive until she was 80 years old [00:04:15] Boutelle denies a myth that Morgan dressed as a man to study at the École des Beaux-Arts and explains Morgan's educational career [00:05:44] Boutelle talks about the number of Morgan's buildings that still remain, emphasizing that many of the major buildings remain although some of the residential houses have been destroyed [00:06:34] Boutelle explains Morgan's decision to include swimming pools and recreational amenities in the YWCAs [00:07:18] Boutelle talks about the diverse styles of the past that Morgan worked into her eclectic designs [00:08:08] Boutelle says most people enjoy Morgan's designs but admits she has heard a complaint about too much public space in the Honolulu YWCA [00:08:48] C. J. and Boutelle talk about the Bavarian style of the Hearst Estate in Northern California (Wintoon) [00:09:25] Boutelle tell talks about the importance of the letters that were written between Morgan and Hearst [00:11:07] Boutelle talks about a celebratory event at Asilomar that she will be speaking at soon [00:11:45] C. J. brings up Boutelle's appearance on Jeremy Graham's Bay Area Backroads [00:12:20] C. J. closes the interview and gives the details of Boutelle's book

Local Identifier
sc-cat_00000020
Date Created
2003
Description

Oral history interview with James Sinton, conducted by Dean Miller, and transcribed by Janet Crabaugh.

4 items in Collection
Local Identifier
ua-sel_00000124
Description

Advertisement for the Cal Poly campus store El Corral

Local Identifier
ua-sel_00000124
Description

Advertisement for the Cal Poly campus store El Corral

Local Identifier
ua-sel_00000125
Description

News update regarding missing Cal Poly student Rachel Newhouse. The update includes an interview with a San Luis Obispo police captain.

Local Identifier
ua-sel_00000125
Description

News update regarding missing Cal Poly student Rachel Newhouse. The update includes an interview with a San Luis Obispo police captain.

Local Identifier
ua-sel_00000127
Description

Sample from the Ninja Tune compilation "FunKungFusion," used by 91 News as a sound bed. The word "Bulk" is crossed out on the cartridge label.

Local Identifier
ua-sel_00000127
Description

Sample from the Ninja Tune compilation "FunKungFusion," used by 91 News as a sound bed. The word "Bulk" is crossed out on the cartridge label.